JBL’s constant beamwidth CBT70J column arrays sprayed grey to colour match the stone pillars and render them virtually invisible at 14th century gothic cathedral. Acoustics consultant Martin Grainger, of County Tyrone-based Grainger Communication, has long been renowned in Northern Ireland for his ability to improve the audio intelligibility in highly reverberant church environments, while boosting their AV capability.
But since JBL introduced its CBT70J Constant Beamwidth column arrays he has really gone into overdrive. “We like this product a lot,” he says. “It’s absolutely fantastic, with good sensitivity; it delivers great acoustic energy, has good frequency response and we try and get that into most of our church jobs.”
Recently Grainger put his theory to the test in one of Ireland’s historic buildings — St Macartan’s Cathedral in County Monaghan, whose construction dates back 150 years. “The old sound system had been installed 30 years previously — it was speech only and towards the end of its life it became unreliable. We were called in to provide a solution but knew they would have to strip out the entire infrastructure. It’s a big cathedral, holding between 700-800 people, but we knew we could provide even coverage with just six CBT70Js.”@page_break@
Martin Grainger conducted acoustic measurements in the cathedral, designed in the 14th-century Gothic architectural style, with a reverberation time between 4-5 seconds. “It’s a cruciform-shaped building and we quickly worked out we would need six CBT70J loudspeakers to cover the congregation area,” he says. The white speakers were sprayed grey to colour match the stone pillars and render them virtually invisible.
JBL claims that the CBT 70J represents a breakthrough in pattern control consistency, utilising complex analogue delay beam-forming and amplitude tapering to accomplish superior, consistent vertical pattern control. Asymmetrical vertical coverage sends more sound towards the far area of a room, making front-to-back sound level more consistent, says the company.
Tuned for speech and music at St Macartan’s Cathedral, the CBT 70Js have been installed with a pair in left/right stereo at the front of the church and two more delayed back at the mid-point (forming Zone 1), with one in each of the two transepts (left and right) forming Zones 2 and 3. A further two JBL Control 25s have been installed at the back of the sanctuary (Zone 4) to enable the clergy to hear the sound from the microphones, positioned some distance in front. The mics themselves are Martin Grainger’s favoured AKG GN Series gooseneck mics.
The challenges confronting Grainger Communication’s site crew included working in a listed building, interfacing with some of the pre-existing equipment and working in an environment which is constantly in use and difficult to gain access to. “We had to maintain the old system right up to the point where we were ready to switch over because the duty cycle is intense, with a lot of unexpected events suddenly taking place. We had one day only to switch over to the new system.”
Around the same time, Grainger Communication also designed a similar solution for the nearby St Joseph’s Church — which was designed by the same architect, William Hague — using four more CBT70Js and AKG GN155s, processed through a BSS Soundweb BLU-100 DSP.
All JBL, AKG, Soundcraft and BSS components are distributed in the UK and Ireland, as part of the Harman Professional portfolio, by Sound Technology. www.soundtech.co.ukwww.grainger-communication.co.uk
