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The Lublin Opera transcends time with Allen & Heath dLive audio upgrade

Konsbud Audio trusted to deliver a state-of-the-art setup, including Allen & Heath dLive S7000 and S5000 Surfaces, dLive DM64 and DM0 MixRacks, plus a SQ-5 mixer. In addition, six DX168 remote expanders, each providing 16 inputs and 8 outputs on XLR, and a pair of IP remote controllers, were deployed at the venue

The Lublin Opera, a distinguished Polish opera company that has been running since 1947, has embraced a new era with next-generation audio equipment, courtesy of Konsbud Audio, AV suppliers and distributor of Allen & Heath in Poland.

Recently rebranded from the Musical Theatre in Lublin, The Lublin Opera is a cultural institution with an extensive repertoire, featuring timeless classics such as ‘La Traviata,’ ‘The Haunted Manor,’ ‘The Gypsy Baron,’ and ‘Fiddler on the Roof.’ The venue regularly presents a full range of performing arts, including musicals, opera, operettas, ballets, musical shows, concerts, and educational performances.

In a strategic move to enhance their sound console system, The Lublin Opera entrusted Konsbud Audio to deliver a state-of-the-art setup, including Allen & Heath dLive S7000 and S5000 Surfaces, dLive DM64 and DM0 MixRacks, plus a SQ-5 mixer. In addition, six DX168 remote expanders, each providing 16 inputs and 8 outputs on XLR, and a pair of IP remote controllers, were deployed at the venue.

Łukasz Jakubowski, sound engineer at The Lublin Opera, commented “We decided to modernise the audio system due to the ageing equipment and the need for increased flexibility. Our primary concern was ease of use for large stage productions that require immediate access to many audio channels and their parameters. The second but no less crucial factor was to provide a redundant system in case of cable failures, localised power issues, or other unforeseen emergencies. As such, the idea was to equip the Opera with two independent systems with identical signal processing properties – fully compatible in terms of recording and recalling show parameters.”

All dLive MixRacks offer 128 input channels and 64 mix outputs with a configurable 64-bus architecture, 0.7ms latency and phase-aligned signal paths for maximum flexibility in all applications. The DM64 is the largest MixRack in the range, with 64 mic/line inputs, 32 line outputs and 3 I/O ports for audio networking. Conversely, the DM0 is the smallest MixRack in the range, with no analogue I/O and 3 audio networking I/O ports. The analogue I/O capabilities of any dLive system can be augmented using remote audio expanders from the Everything I/O range.

Additionally, the audio system includes IP8 and IP1 controllers alongside a tablet and laptop with control applications, and gigaACE and Dante cards for audio networking. Jakubowski praised the system’s user-friendly interface and its ability to seamlessly handle diverse signal sources.

“As dLive is a modular system, it gives us increased connection flexibility and enables us to configure it more conveniently depending on the requirements of a given production,” explained Jakubowski. “With the new setup, we can create front-of-house and monitor stations, or two independent FOH stations, or even connect two MixRacks to multiply the number of available channels. Typically, the DM64 in combination with the S7000 Surface fulfils the task of the main system in the Auditorium, with the control of the monitor mix via iPad. Analogue inputs are supported by the six DX168 expanders which are located where needed.”

The Lublin Opera has successfully staged numerous productions with the new system, including ‘Tosca’ by G. Puccini and ‘Die Fledermaus’ by J. Strauss. Jakubowski highlighted the system’s contribution to the faithful reproduction of the operas.

“Our first production using the new system was the opera ‘Tosca’,” sayid Jakubowski. “The location of widely dispersed signal sources – from the orchestra pit to the supporting microphones suspended high above the stage – was not a major problem. We used the DX168 expanders to avoid making multi-pair analogue connections over long distances. And thanks to dLive’s phase-coherent mix technology, my colleague on monitors and myself at FOH didn’t have to worry about phase issues due to different processing on the channels or the location of A/D converters.”

The Lublin Opera continues to captivate audiences with its seamless blend of tradition and modernity, now amplified by the modern audio solutions provided by Allen & Heath and Konsbud Audio.