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L-Acoustics drives French star’s arena tour

K Series line arrays, KS21 and KS28 subwoofers, and Kara II and K3 cabinets deployed for singer's mix of pop-rock, electro textures and ballads in tour of venues around France

L-Acoustics technology featured on French pop star David Hallyday’s nationwide tour across France, covering arenas hosting 3,000-6,000 audience members per night. The mix of pop-rock, electro textures and ballads required clarity, precise stereo imaging and controlled low-frequency performance.

MAWIP, the touring audio company co-managed by FOH engineer Stéphane Plisson, provided the complete system design and implementation for the tour. The touring system included K Series line arrays for main coverage, KS21 and KS28 subwoofers for low-end impact, and K3 and Kara II cabinets for extended coverage and near-field shaping. Additional A15 Wide and X8 cabinets helped maintain tonal continuity across the stage lip.

David Hallyday’s Requiem Pour Un Fou tour at Le Dôme de Paris

Audio processing was handled through LA12X amplified controllers and a fully redundant Milan-AVB network, with a P1 processor distributing feeds from a Midas Pro HD96 console. Soundvision software was used to model rigging, coverage, SPL distribution and tonal balance across all venues, helping maintain a consistent sonic signature from show to show.

Stéphane Plisson, front-of-house engineer, MAWIP, said: “I have worked almost exclusively with L-Acoustics since their very first models in 1987. From DOSC and V-DOSC to K1, K2, K3 and now L Series, I’ve followed every step of the brand’s development. For this reason, I choose L-Acoustics on all the tours I mix.”

He added: “Stay flexible, trust your ears, work closely with your system engineer, and never underestimate the importance of low-frequency control. And above all, choose a system you truly know and feel comfortable with — it makes all the difference on tour.”

According to L-Acoustics, the system was designed to be deployed and calibrated efficiently, achieving a full show-ready configuration in around three hours. FOH reference remained stable throughout, delivering consistent coverage across venues, with musicians reporting comfortable in-ear mixes and audiences experiencing immersive sound.