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Cymatic Audio chosen for multimedia installs at Hampton Court Palace

Adlib has recently installed a number of Cymatic Audio uTrack24 playback and recording devices as part of a series of complex multimedia installations at London’s Hampton Court Palace. The installations are designed to immerse visitors in the atmosphere of the court of Henry VIII as they progress through the various spaces of the palace.

The uTrack24s are situated in Henry VIII’s State Apartments, specifically the Great Hall, the Page’s Chamber and the Holy Day Closet. In each instance they are used to provide seamless, looping, multitrack playback of audio created by an artist that is designed to give the impression that the spaces are inhabited. Sounds of the period along with actors’ dialogue is reproduced by a large number of concealed loudspeakers to create a fully immersive soundscape.

Adlib’s Tim Robinson explains the reasons behind Adlib’s decision to use Cymatic’s uTrack24. “In the last few years we have faced increasing demand for permanently installed multitrack playback solutions. In such applications, the system is usually completely unattended, and one cannot rely on there being any on-site technical support, so a dedicated hardware solution, as opposed to software running on a computer is preferable. Having discovered the Cymatic uTrack24, we installed three of them in Hampton Court Palace during the first phase of works where they have been running flawlessly ever since.”

“Finding a device which can start-up automatically after a power cut, play multitrack audio without user intervention and then loop seamlessly  seems like a relatively simple brief; however, such devices are extremely scarce, at any price point,” he continues. “The Cymatic uTrack24 does all of this right out of the box.”

Robinson highlighted certain features that were particularly appreciable including the integrated audio interface. “The built-in audio interface greatly simplified our installation as it meant that the system could be installed and cabled once, with the sound designer using the uTrack24 as his interface for live mixing from Pro Tools,” he explains. “His tracks were then exported, loaded onto the uTrack24 and played back using the same device, maintaining exactly the same signal chain as had been used during the mix.”

“In short, we’re delighted with the performance and feature set of the uTrack24. It exceeded our brief and did so at a remarkably low price. We’ll definitely be using more for projects with similar requirements.”

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