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Meyer Sound provides sonic immersion at domed theatre

Duncan Proctor 29 July 2016
Meyer Sound provides sonic immersion at domed theatre

Meyer Sound’s 128-channel D-Mitri digital audio platform has been integrated into the Dai Show Theatre in China, built specifically for producer Franco Dragone’s newest themed spectacle.

The D-Mitri platform alongside CueConsole control handles mixing, multi-track playback and show control of the nightly aquatic acrobatic displays reproduced through an encircled array of 103 Meyer Sound loudspeakers.

In addition, Meyer Sound’s Space Map software allows panning of sounds around and across the two rings of individually addressable, self-powered loudspeakers.

“Having D-Mitri integrated with Space Map definitely expanded my creative options,” said Corrado Campanelli, hand-picked by Dragone to design sound for the production. “Working in the round, with two layers of surrounds, I could think in a much more immersive way with all music and sound effects. With the press of a button, the operator can dynamically move sounds three dimensionally around the space, immersing spectators in the action.”

The sound system design was a collaborative effort, with the original proposal by Colbert Davis of California’s Thinkwell Group specifying D-Mitri and most of the loudspeakers. Due to changes in the building structure and the show’s musical concepts, the loudspeaker and D-Mitri configurations were later augmented or modified by Campanelli.

Meyer Sound - dai_show_theatre_024_hi

One visual concept central to the show was that the dome over the central pool would be part of the visual effects, which in turn meant that the loudspeakers had to be largely hidden. This presented challenges for covering a 1,183-seat venue.

“We could not have large line arrays hanging down in view, so instead we deployed a main inner ring of 10 UPA-1P loudspeakers as the main system, and a delay ring of 23 UP-4XP loudspeakers under the surrounding soffit,” Campanelli explained. “In addition, we deployed two more rings with a total of 59 smaller loudspeakers for the dynamic surround effects.”

With this configuration and Space Map in mind, Campanelli worked closely with Dai Show composer Michael Brennan to leverage the possibilities. “Since this was all original music, I could work with him to identify instruments or sounds that could be dynamically moved during the performance. I do not know of any system other than D-Mitri that can accomplish this as easily and effectively.”

The Meyer Sound house loudspeaker line-up also included two UPQ-1P and two UPM-1P loudspeakers; three UPJ-1P VariO loudspeakers; 19 UPJunior-XP VariO loudspeakers and 49 MM-4XP self-powered loudspeakers, both with IntelligentDC technology; three 1100-LFC low-frequency control elements; two M1D-Sub subwoofers; and a Galileo loudspeaker management system with two Galileo 616 processors. The monitoring system utilised four UPJ-1XP loudspeakers and a second CueConsole control surface connected to a 72-channel D-Mitri platform. All systems were supplied by Shanghai Broad Future Electro Technology and installed by Shenzhen Runze Lighting & Audio Technology Development.

Meyer Sound

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